The Stage-coach: a Comedy. As It is Acted at the Theatre Royal in Drury-lane. by His Majesty's Servants.

Publisher Marketing: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Cambridge University LibraryT160435Anonymous. By George Farquhar. An adaptation of Jean de la Chapelle's 'Les carosses d'Orleans'.London: printed, and sold by the booksellers of London and Westminster, [1709]. 31, [1]p.; 12 Contributor Bio:  Farquhar, George George Farquhar (1678-1707) was an Irish-born playwright of the Restoration period. During his ten-year career, he produced two brilliant comedies, "The Recruiting Officer" in 1706 and "The Beaux' Stratagem" the following year. The son of a clergyman, he studied at Trinity College, Dublin, before briefly working as an actor at the Smock Alley Theatre in that city. Following an accident during a stage fight, when he mistakenly used a real sword and wounded a fellow actor so badly that he almost died, Farquhar renounced acting. Encouraged by his fellow actor Robert Wilks, he took up the pen and settled in London. His first play "Love and a Bottle" was well received at Drury Lane in 1698. The following year, T"he Constant Couple; or, A Trip to the Jubilee" was an even greater hit with Wilks in the lead. After "Sir Harry Wildair" (1701), a sequel to "The Constant Couple", and "The Twin-Rivals" (1702), he wrote his first great play. The first production of "The Recruiting Officer "starred Anne Oldfield, with whom Farquhar supposedly had an affair. The following year Farquhar, with "not one shilling" in his pocket, was encouraged by Wilks to produce a hastily written play. The next day Farquhar delivered the plot for "The Beaux' Stratagem", which was presented on stage within six weeks. He died from tuberculosis after the third performance.