Bret Harte

Cressy Bret Harte

Publisher Marketing: As the master of the Indian Spring school emerged from the pine woods into the little clearing before the schoolhouse, he stopped whistling, put his hat less jauntily on his head, threw away some wild flowers he had gathered on his way, and otherwise assumed the severe demeanor of his profession and his mature age-which was at least twenty. Not that he usually felt this an assumption; it was a firm conviction of his serious nature that he impressed others, as he did himself, with the blended austerity and ennui of deep and exhausted experience. The building which was assigned to him and his flock by the Board of Education of Tuolumne County, California, had been originally a church. It still bore a faded odor of sanctity, mingled, however, with a later and slightly alcoholic breath of political discussion, the result of its weekly occupation under the authority of the Board as a Tribune for the enunciation of party principles and devotion to the Liberties of the People. There were a few dog-eared hymn-books on the teacher's desk, and the blackboard but imperfectly hid an impassioned appeal to the citizens of Indian Spring to "Rally" for Stebbins as Supervisor. The master had been struck with the size of the black type in which this placard was printed, and with a shrewd perception of its value to the round wandering eyes of his smaller pupils, allowed it to remain as a pleasing example of orthography. Unfortunately, although subdivided and spelt by them in its separate letters with painful and perfect accuracy, it was collectively known as "Wally," and its general import productive of vague hilarity. Contributor Bio:  Harte, Bret Bret Harte (1836-1902) was an American writer whose western stories and poems launched the "local color" school in American fiction.